I managed to find only a little information about the Polish book illustrator Marcin Minor — that he graduated from the European Academy of Arts, works in various techniques (acrylic, watercolor, ink, pastel), and so on. But what do these dry facts really mean when we’re talking about a true artist? An artist’s work should speak for them — and Marcin Minor’s illustrations are the best proof of that. Take a look at his artwork for The Master and Margarita and appreciate the gentle irony, warmth, and childlike directness with which he sees the world. People who are able to create such magic on paper make our lives brighter and more beautiful.
Here’s how the story begins: at Patriarch’s Ponds, an unknown gentleman materializes out of thin air

Berlioz really should have run for his life — but no, he sits there, arguing with the foreigner

And that’s it — he argued himself to the bitter end

Behemoth departs the crime scene

And Ivan gives chase — a pursuit that will end in a psychiatric clinic

The Master, keys in hand, standing on the asylum balcony

Let’s move to the infamous apartment. Here’s Azazello gnawing on a chicken leg

Choral singing in Soviet institutions

And now Margarita is already flying off to the ball

The monkey orchestra at Woland’s ball

Behemoth swinging on the chandelier, dodging police bullets

And here are Behemoth and Koroviev at Torgsin, examining the mandarins

A flight on magical horses

Pontius Pilate on the mountain plateau


